I REMEMBER MY FATHER'S HANDS ALWAYS THE SAME
​
​
Beaten and puffy, callused
and streaked with grime. Stains of engine oil,
black and sticky like tar. I’d lead
him into the shop’s bathroom
whenever I found them like this,
pump the orange and mealy
mechanic’s soap into his palms.
The bathroom walls were tiled white
but yellowed from cigarette smoke.
Profanity written all over, left by the shop’s frequenters.
Dad only scrubbed off the tags
he didn’t think were funny. His favorites
were “Fuck the Police” and “Jesus loves you,”
despite his cop friend who visited regularly,
and his lack of conviction. He said it was good
to have friends on all sides, especially
when you had a business on the rough side
of the city. He said, someday, I’d learn the difference
between living in the suburbs
and the city. I was twelve—
the only thing I knew
about prosperity was that our unfixed cat, Weasel,
could pop out kittens three times
a year, and I could have one in every color
if I’d wanted, so long as the right Tom came around.
But Weasel only lived long enough to give birth twice,
and the kittens came out all twisted
and kept dying.
Now, my father tells me
on the phone that he’s growing
a great white cyst
like an oyster
on his kidney
and the doctors say
they can remove it,
but he says he’s dying.
And he can’t even enjoy
whatever time he has left
because his kids have gone
and mixed themselves across
the goddamned U.S.
I remind him that once, he brought me a pile
of offal-like rocks
that he claimed he’d shook down
from the moon, but really,
they were geodes he’d ordered
on eBay and we cracked them open
to reveal the crystal clusters hanging
out on the inside, like bowls full
of opals. Maybe, I tell him, the doctors will jack open
his kidney and find a pearl or something forming
itself inside.
Don’t be silly, he says, pearls don’t grow
inside of people.
I imagine him at the other end
of the line, his hands are shaking. I know
he doesn’t want to die, and I can’t lie to him
and say that everything will be alright. Shit is jacked
up. The difference between living and dying
is having someone
we love to grasp onto.
No, pearls don’t grow inside of people,
but miracles happen all the time. Remember?
You made moonrocks fall from the sky.
​​​
​​​
​​​
​​​
​​
​BIO:
Olivia Jacobson is an MFA candidate in poetry at Syracuse University. She is the nonfiction and poetry editor at Salt Hill Journal. Her chapbook, On Junkyards, won the Etchings Press Book Prize for Poetry (Etchings Press, 2025). Her work can also be found in The Shore, Club Plum Literary, and SUNHOUSE Literary Journal.